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Communication, Culture and Confrontation

Communication, Culture and Confrontation

Edited by:
  • Bernard Bel - French National Centre for Scientific Research
  • Jan Brouwer - Centre for Advanced Research on Indigenous Knowledge Systems, Mysore
  • Biswajit Das - Centre for Culture, Media and Governance, Jamia Millia Islamia, New Delhi
  • Vibodh Parthasarathi - Centre for Culture, Media & Governance, Jamia Millia Islamia, New Delhi
  • Guy Poitevin - Late of Centre for Cooperative Research in Social Sciences, Pune

May 2010 | 500 pages | SAGE Publications Pvt. Ltd

The Third Volume in the series Communication Processes engages in understanding processes of communication in relation to cultural configurations and contending forces that permeate them. Moving away from the conceptual reduction of communication to the technological metaphors of 'transportation' and 'transmission', the Communication Processes series undertakes discourse involving multiple voices, bringing together academic and grassroot viewpoints. The present book explores another level of analysis in which forms, ways and media of communication appear in connection with the cultures of communicators and their audiences.

This volume is positioned at the interface of culture and communication—exploring ways in which interaction, negotiations, and even conflicts are voiced. It re-examines our conception of culture to show that communities cannot be divided into polarities such as 'elite and popular' or 'dominant and subaltern'—establishing that such clear divisions cannot exist in society. Culture is therefore perceived as a field of contending forces: a milieu of exchange, encounter, confrontation, and possibly conflict

The volume argues that cultural configurations display themselves as evaluative forms of social communication, weaving human beings into collectives, and binding these collectives with one another, all permeated with the power parameter. It identifies seven different cultural forms such as rituals, narratives and songs, and discusses 18 case studies to suggest a complex model of cultural communication. It also discusses popular culture as the site of struggle between forces of dominant and subordinate communities.

Introduction: Remoulding the 'Cultural' as the 'Contentious' Bernard Bel, Jan Brouwer, Biswajit Das, Vibodh Parthasarathi, Guy Poitevin
I: CONFLICTING STAKES: Introduction Editors
From the Popular to the People Guy Poitevin
Interventionist Tendencies in Popular Culture Vibodh Parthasarathi
The Indian Legal System: A Unique Combination of Traditions, Practices and Modern Values Karine Bates
II: POWER OF ORALITY: Introduction Editors
Terrains of Rejuvenation  
The Donkey: A Mirror of Self-identification Guy Poitevin
Memory and Social Protest Badri Narayan
Say It in Singing! Prosodic Patterns and Rhetorics in the Performance of Grindmill Songs Bernard Bel, Geneviève Caelen-Haumont and Hema Rairkar
Assets of Dissent  
Grindmill Songs: A Reference of Autonomous Self-insight Hema Rairkar
From Grindmill Songs to Cultural Action Tara Ubhe
A Reactivated Performance Capacity Kusum Sonavne
Scenarios of Stress  
Folk Arts and Folk Artists: Myths and Realities P J Amala Dos
Scenarios of Appropriation  
Resisting Colonial Modernity Premchand's Rangabhoomi and Shashi Bhushan Upadhyay
Street Theatre in Maharashtra Hema Rairkar
Action Theatre in Belgium Paul Biot
Intruding Orders  
Ephemera, Communication and the Quest for Power: Hindutva in Uttar Pradesh Jayati Chaturvedi and Gyaneshwar Chaturvedi
The Ritual Management of Desire in Indian Bazaar Art Kajri Jain
Contending Idioms  
On the Way to Pandhari Jitendra Maid and Guy Poitevin
The Famous Invincible Darkies Denis-Constant Martin
Epilogue Editors  

The volume which assembles a wide range of scholarly works that posit problematic yet convincing arguments towards a complete understanding of the concepts of culture, communication, and conflicts would be a useful resource for students and scholars of contemporary politics, media and society.

The Book Review

This well-researched third volume in the series coming after the first two whose focus has been on the media, techniques and relations of communication is a good reference book for not only students pursuing disciplines of sociology, communication arts and culture but also to the faculty involved in teaching these subjects.


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